What made ‘La La Land’ a game-changer for musicals?

City of Stars, Please Shine for Me: on La La Land — photogénie

Since its release in 2016, ‘La La Land’, directed by Damien Chazelle, has occupied a unique space in the evolution of the musical genre. Its modern reinterpretation, aesthetic choices, and cultural impact have been extensively discussed by critics, filmmakers, and audiences alike. Yet, what precisely did ‘La La Land’ contribute to the contemporary musical repertoire? The answers are multifaceted, spanning narrative innovation, technical revival, and a reevaluation of cinematic nostalgia.

Revitalizing the Classic Framework Through a Modern Lens

Musicals have long thrived on grand spectacle, vibrant choreography, and emotionally charged storytelling. However, before ‘La La Land’, the American film industry experienced a lull in large-scale, original musicals, with adaptations and Disney animations dominating the scene. Chazelle’s vision drew explicitly from the Golden Age of Hollywood, referencing works such as ‘Singin’ in the Rain’ and ‘The Umbrellas of Cherbourg,’ yet grounded the narrative in the tangible struggles of twenty-first century dreamers.

By intertwining Mia’s and Sebastian’s aspirations with modern-day challenges—economic precarity, professional unpredictability, and the conflict between idealism and pragmatism—the movie grounded universal concepts within a believable setting. The juxtaposition of highly stylized musical segments, like the initial highway scene ‘Another Day of Sun’, and the realistic, poignant evolution of the main romance, revitalized the genre while acknowledging current perspectives.

Filmic Artistry: Hue, Melody, and Movement

La La Land stood out due to its careful blend of visual and auditory artistry. Linus Sandgren, the cinematographer, employed color palettes not just as a tribute, but as a purposeful psychological instrument. The vibrant shades in the attire and scenery frequently reflected emotional high points or shifts, mirroring the expressive potential of color in traditional musicals while offering a novel effect to modern viewers.

Composer Justin Hurwitz’s score played a central role in shaping the film’s identity. Unlike many modern musicals that favor diegetic or pop-inspired numbers, ‘La La Land’ embraced original compositions loosely tethered to jazz. The recurring motif of jazz, both thematically and structurally, brought an improvisational spirit to the film and reminded viewers of the transformative nature of music itself. Numbers like ‘City of Stars’ achieved cultural ubiquity, crossing into mainstream radio, and earned multiple awards, including the Academy Award for Best Original Song.

The choreography, designed by Mandy Moore, eschewed hyper-polished perfection for expressive, character-driven movement. Ryan Gosling and Emma Stone, neither famed for musical theater backgrounds, delivered performances grounded in vulnerability and authenticity. This democratized the musical form—suggesting that heartfelt execution could outweigh technical virtuosity.

Subverting Narratives and Embracing Realism

Viewers accustomed to traditional musicals might anticipate a definitive, upbeat conclusion. ‘La La Land’ deliberately defied this expectation. The movie’s concluding segment, frequently dubbed ‘the epilogue,’ presented audiences with both a fantastical, alternate reality sequence and the current reality, where professional goals are achieved at the expense of the romantic bond. This dichotomy struck a chord with contemporary audiences familiar with intricacy and subtlety, implying that adult existence frequently necessitates trade-offs instead of the flawless convergence of affection and aspiration.

Furthermore, the film’s self-awareness reframed the musical genre as both a celebration and a critique. Through Sebastian’s longing for an idealized jazz era and Mia’s evolving understanding of fame, ‘La La Land’ interrogated the nostalgia so frequently romanticized in musicals, subtly challenging viewers to reconsider the cost of clinging to the past.

Public Response, Enduring Impact, and the Wider Musical Resurgence

The worldwide reception of ‘La La Land’ highlighted a demand for musical storytelling beyond the typical superhero or franchise models. Earning almost $450 million globally from a $30 million investment, and receiving fourteen Academy Award nods, the movie proved the strong commercial and critical potential for original musicals in the modern era. Its triumph notably paved the way for a renewed interest in musical films and TV shows, such as ‘The Greatest Showman,’ the 2018 version of ‘A Star is Born,’ and live televised productions of Broadway favorites.

The film also reignited public interest in jazz, Los Angeles as a character-driven setting, and the narrative trope of the artist’s journey—signaling that audiences were still eager for stylized realism and emotional catharsis.

Lasting Impact and Fresh Benchmarks for the Category

Analysis of musicals released after ‘La La Land’ demonstrates a quantifiable impact on both independent and major studio productions. Filmmakers and music creators frequently point to its fusion of stunning visuals and authentic storytelling as a key inspiration. The movie’s musical score, characterized by its jazz-inspired themes, sparked a resurgence of interest in original compositions within popular cinema.

Perhaps ‘La La Land’s’ most significant contribution is its validation of the modern musical’s capacity to blend homage with innovation. It empowered creators to experiment boldly within the genre while honoring its deep-rooted traditions. By refusing to stale into pastiche, and favoring an honest portrayal of dreams achieved and lost, the film reminded viewers and filmmakers alike that musicals are not only vessels for escapism but also for sincere human stories—complex, imperfect, and resonant with contemporary realities. Such a model endures, inviting each new generation to reimagine what a musical can be and whom it can reach.